Our Lady Of The Flowers

Our Lady Of The Flowers

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This one started differently, and with a lot of stumpwork again.

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After it was confirmed that I would have my work on display at Onca Gallery for their Remembrance Day for Lost Species I wanted to make an Extinct Icon that specifically related to their theme for this year – Pollinators.

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I knew immediately that it had to be a fruit bat. The importance of bats as a species has been close to my heart since I took part in a conservation project in Malaysia in my early 20s.

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Bats are the bees of the tropical world, is something I’m fond of saying.

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Three of the most important crops they pollinate are cocoa, banana and agave, amongst over 500 others we in the west are used to enjoying.

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Bats are massively threatened by habitat loss – rainforests cut down for palm oil plantations being a big one.

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So I was inspired by religious iconography from the tropical world, usually the Virgin Mary surrounded by very colourful flora and fauna (think Our Lady of Guadalupe).

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I’ve not made detached slips so heavily beaded before and they were obviously a lot heavier than just embroidered ones.

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I knew this one would be smaller given the comparative scale of a bat’s skull so I switched to my hoop.

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The moon is a nod to the nocturnal habits of this species.

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As is the starry sky here.

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Assembly…

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To combat the heaviness of the slips they were both plunged to the reverse as well as sewn along the sides, creating sort of cups.

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In the United States bats provide an estimated $3.7bn in insect control, but in much of the rest of the world they are woefully under researched.
Many pollinating species of bats have already become extinct, like the Dark Flying Fox of Mauritius and Reunion, or the Guam Flying Fox, due to hunting from settlers, or habitat loss from mono culture farming like oil palm. But we just don’t know how many species may be threatened.

*** 25th November Masterclass is SOLD OUT!
BUT the good news is, due to popular demand I’m running another one on 2nd December! Only 3 spots left so move fast if you wanna make your own homage to the pollinators – details here!***

Ritual Burials: Otter

Ritual Burials: Otter

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I wasn’t feeling all that enthusiastic about the next 5 Ritual Burial pieces at this point. I was half way through and I basically couldn’t choose so I threw it out to my Instagram followers to do it for me. Otter was voted for. Social media can be a wonderful thing.

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At the design phase I had struggled a bit with the composition. Undoubtedly Otter is one of the significant animals of the Druids but I couldn’t immediately find plants or symbols that went with him. In the end it was the strong connection to water, and all that element’s strong symbolism that led me to ferns as the flanking magical plants.

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I was really excited to embroider a fern. They are probably my second favourite flora after mushrooms. I began with marking out the shape in tacking and couching a gradually thinning cord to make the spine of a classic Fiddlehead fern.

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 I knew I wanted to experiment with decorative stitches for the leaves so had a little practice first.

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I think this stitch is aptly named ‘fern stitch’. I am a bit obsessed with the fractal nature of ferns. It’s a leaf on a leaf on a leaf.

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I used a lovely variegated thread for this.

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It couldn’t be a fern without a little furl so I followed the same method to make a curly wurly next to it.

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I didn’t actually take a photo of the little detached picots I used to make the leaves for this bit, but there’s a video on my Instagram.

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OK, so next things got weird. I did hesitate slightly with this fern, the quite rare Moonwort fern. It is so odd, so unlike ferns that I both loved it and worried it would just look weird in the composition. Great! I decided, and made these leaves out of velvet.

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I’ll show you a photo of the real thing in a minute, if you’ve never seen one before. They look just like this but you be the judge. Like before I couched down some cord. I also got super excited to use beads for its little, well I suppose you’d call them pods. I pinned them in place first to make sure I was happy, then I stitched them all down.

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Here you are:

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So weird huh? Botrychium lunaria is one of the strangest, rarest and most ancient ferns. I want to fill my garden with them.

Moonwort was believed to have a strong effect on metal: it was once believed that it could unlock a door if inserted in a keyhole, and draw nails from the shoes of any horse that trod in it.

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Look there’s the little leaves made from detached woven picots on the first fern.

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Made a little leaf to add to the Moonwort.

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So that’s the ferns done. Next Otter needs his magical jewel of power, so I stuck it on with fabric glue. But I mucked it up so had to add some french knots to hide the glue splodge.

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Worked out though didn’t it? Looks nice.

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Here it is, and I added the elemental symbol for water and also the rune Wunjo.

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//O T T E R \\

The Otter stands for joy, playfulness, and helpfulness. The cubs stay longer with their parents than most other animals and when an otter dies, it’s mate will mourn for a long time. Because of this Otter also represents family, and bonds. Incredibly magical, the Otter is at home with elements of both water and earth, represented here by ferns. Dryopteris Felix mas, the male fern, and Botrychium lunaria, the Moonwort fern, representing the female, lunar element. Ferns are prehistoric, ancient plants and synonymous with the earth and water, healing and magic. Like the Toad, Fox, and Snake, the Otter is said to carry a secret power object – a magical jewel within its head. Otter is also shown with the elemental symbol for water and the rune Wunjo, representing joy, pleasure, and kinship with those the same.

6 of 10

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Ritual Burials: Frog

Ritual Burials: Frog

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This is the weirdo. The strangeling.

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The usual beginnings.

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Puffball mushrooms. I’m sorry I don’t have any in-progress shots. So you’ll have to take my word for it that these are made of old tights. No really.

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Sketched out these Mandrake dudes freehand, but did it so well directly on to the fabric that it was a bit tricky trying to cut out this eco-felt to match. Should’ve sketched it to the felt obviously.

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Anyway, stitched them down and over-sewed it with these sort of shading running stitch. Wasn’t all that happy with this bit as I struggled to make it not look stripey.

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When I was happy with that I added these little rooty bits with couched down string and stuff.

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Sorry that one’s a bit overexposed.

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Ok so next I had a genius moment when I realised my beloved 21st Century Yarns (my absolute fave thread designer) did space dyed cotton velvet in the same gorgeous shades as all their threads. Sigh velvet. So rather than fill in all these shapes with embroidery as normal I just selected the best shade of oily blue green and using the same shade of thread (genius) made my slips.

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Raided my semi precious stones from my jewellery making days (oh how glad I am I hung on to these) and sorted through these lovely Ocean jaspers to find the perfect ‘Stone of Power’.

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Druids believe that the frog or toad carrying a secret within is the possessor of a power object – a stone of magical properties said to be found in the heads of very old specimens. By carrying such a stone and using it magically, the druid would be able to contact the animal spirit.

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//Frog / Ghost / Medicine//
Frog’s were considered by druids as representatives of water spirits and as creatures in contact with the underworld and the dark God. Frog brings medicine and also represents hidden power and beauty.
Frog is shown with puffball mushrooms representing inner connection and mystery, and the mandrake, the greatest magical reputation of all plants, with its ability to drive away illness, demons and misfortune. Also the rune Hagalaz which heals physical, mental and spiritual wounds and increases mystical experiences and knowledge.

4th in a series of 10.

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Ritual Burials: Arctic Hare

Ritual Burials: Arctic Hare

Around Christmas I had just gotten Marc Bolan finished and as usual had been hatching plans for a new series of ten embroideries for a few months.

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In my usual style it’s now July and I’m half way through the series, which, if you follow me on Instagram you’ll know! But I decided as I’m halfway through I better start blogging again and share my progress on these.

The concept for the series explores the way we as humans share an ancient history of honouring animals in life and death, and invites the viewer to consider how the sacred place those animals once held, has now changed. In the transient nature of life and death, there are clues all around us of the importance and significance certain animals have – in the names of plants, in the folklore and mythology of global cultures. This series specifically looks at ten animals, all native to the British Isles at some point and all with special cultural or religious significance to pagan communities. Inspired by ancient Celtic burial rites, the composition of each piece suggests a burial ground where the spirit of each animal is ritually honoured.

The first of this series is the Hare.

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Using anatomical reference I began by transferring the simple skeletal design onto my fabric and used a combination of split stitch, back stitch and french knots to embroider it. Finally the outline of the animal’s body is laid down in glow-in-the-dark thread; I like the idea that the ‘ghost’ of the animal has a second life at night.

Once this was done I used my favourite air-erasable pen to freehand sketch in the other elements.

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Using simple paper patterns I created detached slips of the Harebell flowers and leaves then laid them out on my fabric.

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I then embroidered the plant’s stem in stem stitch.

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The opposing element in this piece was the Hare’s Foot Inkcap, which I created with simple felt applique oversewn with embroidered detail.

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I wish I’d cut the mushroom cap instead of overlaying it and causing that lump.

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Next I created the sun and moon by first padding the circles with felt then attaching rough silver purl and smooth gold purl.

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Finally I added two Norse runes in iridescent filament:

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// H A R E//

The Arctic Hare was the original Hare of Britain. For the druids the Hare represents rebirth, initiation and balance. This ritual burial shows the Arctic Hare surrounded by Harebells representing Spring, Hare’s Foot Inkcap representing Autumn, and the full sun and moon representing the two equinoxes. The rune Berkana further signifies balance and Jera for abundance and fertility.

1st in a series of 10

Deadly Black Henbane…Part II

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I have been a bit quiet this week, as far as blogging goes anyway. But the needle has been stitching away as ever, and I just finished the Black Henbane flower yesterday, so here is part 2!

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When I left you last week I had completed the 3 petals using detached wire slips techniques. So here is number 4;

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And here is the fifth and final one. In some ways this was the easy bit over, now plunging the wires into the black ground fabric one by one, to construct the flower head.

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As each petal is pushed through the fabric, I bend the silver wire back against the fabric and couch them down to  secure, then trim. It’s quite tricky making sure the petals lie in the positions you want them to.

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All petals in place. Now I just filled in any gaps with purple silk french knots, and finished off with white glass beads to represent the stamen heads.

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All the way up until the end I wasn’t sure how this would turn out in terms of how like the Henbane it would look, but I have to say I am pleased and think it will make a really stunning brooch, the poisonous petals spilling out of the frame.

What do you think?

P.S If you haven’t heard, you can now buy postcard prints of my work from the Mother Eagle website. There are 4 themed packs of 3 to choose from – check them out here!