Category: My Work

Upcoming Exhibitions
Hello friends old and new.
Just a quick update to let you know that a little selection of my work will be on show as part of Worthing Artist’s Open Houses, from this Saturday all weekend and next weekend 30th/1st.
There’s a few pieces from each series – Ugly Gods, Ritual Burials and Extinct Icons, as well as some little embroidered works and £5 posters! Plus loads of other cool art at the venue as well as across Worthing on the Art Trail!
Find me at Venue 17, 3 School Yard, Grafton Road
Also a heads up that I am having a solo show in Brighton, at Brush in August.
‘Natural Fibres’ will include a selection of my work from the last 5 years, as well as premier several brand new pieces. There will also be a very limited number of signed giclee prints from the Extinct Icons series, each individually hand finished by me.
The private view is at 7pm on 9th August – follow the event via Facebook here.
I promise I’ll post new work here soon! If you’re not already, follow me on Instagram for all my current works in progress!
Exhibition opens this Thursday!
Please join me for the launch of this year’s Remembrance Day for Lost Species exhibition: Extinct Icons and Ritual Burials.
Honouring lost and threatened species and ways of life, this group exhibition features my work, photography by Megan Powell, installation by Clare Whistler, textiles by OX Art, specimens from the Booth Museum of Natural History and accompanying poetry.
See here for more information about the project and accompanying events.
Date: Thursday 23 November
Time: 6:00 – 9:00pm
Address: O N C A 14 St Georges Place, Brighton BN1 4GB
The exhibition runs until 10th December. You will also be able to buy posters and art cards of the Extinct Icons series there (also available in my Etsy shop).
I hope to see you there!

Saint Benjamin
Right back in January, I had intended this to be the second Icon I was to make. But some friends and my better judgement persuaded me to enter the Women’s Hour Crafts Council prize, and this was my entrant for the piece I would display if successful. I wasn’t. Here he is.
It’s an interesting facet of working like that though: I designed it months before, and at the time I had envisaged all the icons having quite similar halos and design elements. But as always I evolved throughout the project and so when it came to realising my original design, I was initially worried it now seemed too simple.
As I’d progressed through the series, I had incorporated a lot of symbolism as I usually do, and now looking at and researching the Thylacine, I couldn’t find many threads to pull on, to weave into this design.
My original design took as its focus the physical appearance of the Thylacine, a brown and black stripy animal, as the main characteristic of the Icon.
By this point I had also amassed a wealth of bronze and copper materials and deciding not to second guess myself, proceeded with the shape and composition as I had originally envisaged it.
I actually found designing with these colours quite challenging, as balancing the metallic tones of rose gold and copper, and bronze and brown, with black was tricky to not have them fighting with each other.
It was the goldwork that was the star of the show though.
I was using a basic cutwork technique, but alternating copper wire check with smooth purl over felt padding. Each one of the rays took about an hour.
Truth be told, I actually started this piece before Our Lady of The Flowers but had to abandon it about this stage as I was waiting on materials to come which ended up taking forever to arrive. Not ideal.
Here I have edged the alternate rays in copper pearl purl and then used two types of check to fill them in chip work – copper bright check and bronze wire check – and arranged them in an ombre pattern.
Again I was worried about the two tones clashing but was actually quite pleased with the way the bronze picked up the tone of the bugle beads.
I carried on with this ombre motif with the infilling of bronze and black 3mm sequins.
Pleasing.
The finishing touches:
Although I fretted about the apparent lack of symbolism in this piece as compared to the others, out of curiosity I looked up where Carnelian comes from, and was pleased to find one of its sources is Tasmania.
Knowing the obvious great stretches of time it takes for the earth to ‘grow’ these minerals, I felt quite moved when considering the (albeit remote) possibility that these carnelians could have come from Tasmania, and could have been in the ground when Thylacines still roamed wild there.
\\ Saint Benjamin //
The Thylacine was the largest known carnivorous marsupial, and the last member of the family Thylacinidae. Also known as the Tasmanian Tiger or Wolf, it was a shy, nocturnal creature similar to a medium/large dog except for it’s pouch and dark tiger stripes on its back.
Intensive hunting encouraged by bounties, combined with the introduction of dogs and human encroachment into its habitat wiped them out in 1930.
The last captive Thylacine, Benjamin, lived in the Hobart Zoo for 3 years. He died on 7th September 1936 as a result of neglect – locked out of his sleeping quarters, he succumbed to exposure. Last year (2016) was the 80th anniversary of the loss of this species.
I now have poster prints and art-cards available of this series in my Etsy shop. The Witch of St Kilda poster is already sold out so be quick if you want to grab anything!
*** Workshop spots still available – details here!***
