I have actually had this finished for quite a while.
But you see it’s not finished. Not to my slightly psychopathic standards of finish. I still have yet to complete all the very very many little black Xs that will provide the background for my eternal muse.
So there it is. Cast aside like so much else obsessed over and fallen-out-with craft. I think now with the nights drawing in the mood might strike me to fill some hours up with that. We’ll see.
Do you like it?
Well hello there.
Life is very different. Pics to follow soon.
Just had coffee today with the most talented girl I know (true).
Check her out: http://www.misspybis.blogspot.com
It’s THE most busy and stressful time of my life right now, hence the long gap, but fear not, my needle is not resting idle and turning rusty.
Cross stitch, same grey palette as my original skull pillow, it’s nice to get back to the lovely calming rhythm of little x’s. Although this is a smaller scale than my original, and you can see at the top of the pics my wonderful contraption gifted my my guru, which allows me to stitch in this dull Yorkshire winter without going blind. So I stitch two-handed using my fanny frame, and look through the integral magnifier which forms the front part of this anglepoise daylight lamp. It’s a marvel.
This was a learning process project. I hadn’t done most of the stitches before having really focused on cross-stitch work, so I wanted to teach myself more freestyle techniques – satin stitch, french knots, spider-web stitch, seed stitch. I intend it to be the first of a series of poisonous mushroom ‘samplers’.
I could accept the argument that the skull is unnecessary – but I can’t resist the nod to old Victorian poison bottle labels. I am me, after all.
You can read more about the process of this piece here and here.